Monthly Archives: May 2011

Faith, Lies, Denial, and Secrecy

Images

Faith, Jennifer Haigh's new novel, is about the past decade's crisis in the Catholic church involving priests who abuse children. Haigh is a superb writer, and I have been a big fan of her previous novels, including Mrs. Kimble, The Condition, and Baker Towers. I think highly of her writing in this book, too, but am conflicted about the story she tells.  

I'm wary of giving away too much of a complicated plot, so I'll simply say that the narrative involves a priest who is accused of abusing a young boy whom he had come to know through the boy's mother and grandmother.  But the whole story isn't known to the authorities.  Nor is it immediately known to the priest's family members, some of whom crumble under the news that the priest might be one of the church's pedophiles.

The characters are vivid and the plot is engaging.  But what makes me uneasy is this book's blithe explanation for the accusation in this case.  Surely it is the case that some of the priests around the country — indeed, throughout the world! — who have been accused of abuse are innocent of the charges, victims of unscrupulous people looking to make a profit from salacious accusations. But it's also surely the case that such cases constitute a small minority of the whole. As much as I admire Haigh's skills as a writer, I really dislike what she has done with this story. 

In interview notes on the Amazon website, Haigh says: "I was raised in a Catholic family, spent twelve years in parochial schools and had extremely fond memories of my interactions with Catholic clergy. It’s no exaggeration to say that nuns and priests were the heroes of my childhood."  That's quite apparent from her book.  It's too bad that, instead of offering up a story, as she did, that delivers an unexpected explanation for this one case of fictional abuse, Haigh didn't train her formidable powers of observation at the members of the church hierarchy, whose corruption and evil should put them in an even hotter place in hell than that reserved for the child predators they enabled.

To be fair to Haigh, I read this book in the week following the latest absurdity involving the Catholic Church.  I'm referring to this widely reported news item:

A five-year study commissioned by the nation’s Roman Catholic bishops to provide a definitive answer to what caused the church’s sexual abuse crisis has concluded that neither the all-male celibate priesthood nor homosexuality were to blame.

Instead, the report says, the abuse occurred because priests who were poorly prepared and monitored, and were under stress, landed amid the social and sexual turmoil of the 1960s and ’70s.

There you go!  There's a reasonable explanation for you: the Sixties are to blame! Never mind that clergy of other denominations and faiths also went through the 1960s and 1970s without being turned into pedophiles.

Whatever the explanation for the extraordinary concentration of this problem among Catholic clergy, there is no denying that an equally egregious crime was its cover-up by bishops, cardinals, and other people high up in the Catholic hierarchy.  And THAT is a problem of institutional culture. The Catholic church is a morally bankrupt institution that is based on a culture of secrecy and deceit. I know this all too well from my own observation of the Catholic institutions in which I have worked most of my adult life. Leaders of Catholic institutions tend to be secretive, duplicitous, and protective of their own power and that of others around them. They're abusive toward those without power.  They pay lip service to Christian virtues but violate them constantly in their day-to-day interactions with others.

I was interested to find my view affirmed recently by Rev. Bob Hoatson, a Catholic priest who is  co-founder of an organization called Road to Recovery, which provides support to victims of sexual abuse. He is also a survivor of sexual abuse himself. Recently, interviewed on National Public Radio about the bishops' report that shifted blame outside the church, placing it on the looseness of the Sixties and Seventies, Hoatson said: 

This report does not get to the heart of the issue, and the heart of the issue is deceit, cover-up, silence, secrecy and an internal culture that doesn't let anybody else in.

He's right. Dead right. And Haigh comes close to acknowledging as much in her novel at the end when she alludes to the secrecy, cowardice, and perfidy of Cardinal Bernard Law and his coterie of mitered enablers in place when the Boston scandal exploded.  

So, Haigh's novel is well done and it addresses an important contemporary social problem.  But in my view it trivializes the problem by offering a benign — even romantic! — explanation for what happened in this fictional case, and fails to grapple head-on with an even more serious problem in the Catholic church, a problem that will exist long after the abuse crisis fades from the news.  Still, this is a novel, not a nonfiction analysis of the church and its problems, so it would be unfair to judge Haigh's work on anything but her writerly craft.   She's a master.  ★★★★☆

 

“Eleven,” by Mark Watson

Newly-5-articleInlineMark Watson's new novel Eleven is about how connected our lives are — how an action by one person has consequences all down the line for lots of other people.  In this story the chain reaction of events starts with a young boy getting beat up by neighborhood toughs.  He goes home bruised and bloodied.  His mother, a journalist and food critic, upset about what happened to her son, gives a poor review to a new restaurant.  The owner and chef, frustrated about the review, which he considers singularly unfair, vents his anger by firing a lowly kitchen worker.  Etc., etc., etc.   The main character is Xavier Ireland, a lonely host of a late-night radio show in London, who gives out advice to his listeners about how to fix up their lives.  His own life is pretty pathetic, stemming in part from a regrettable mishap in his own past. But his life starts to perk up a bit when he meets Pippa at a speed-dating event and, discovering that she is a housecleaner, decides to hire her to clean his own miserable flat.  As things develop, she turns into a more important person in his life, improving not only his flat but everything else in his life. It's an appealing story and — another plus! — Watson knows how to end a novel in a satisfying way.

I liked this book.  As Susannah Meadows noted in her short comment about it in the New York Times:

The surprises come in the language. Leicester Square is said to be “sulky with drizzle.” A film director has “a gut which imposes itself through an inadequate tuxedo like somebody mooning through a gap in curtains.” And at a party, people take out their BlackBerrys each time they shuffle to another conversation “as if the gadgets contain instructions on how to move.” Which is all to say that in the telling of this story, Mr. Watson, a British comedian and writer, can be rather charming . . . 

I agree. In the first paragraph, Watson describes snowflakes in London settling "in scarves around the necks of parked cars."  I knew immediately that I was in for some interesting writing. Fortunately, I got a good story, too.    ★★★☆☆


“Long Drive Home,” by Will Allison

Two books to note this week.  

 

Images

The first is Nemesis by Jo Nesbø, the Norwegian author whose virtues I extolled after finishing his novel The Snowman a few days ago. While it's clear from this book that Nesbø truly belongs on the must-read list of any fan of crime fiction, this book is not as successful as The Snowman, at least not in my view. Here Nesbø weaves together two intricate plots — a series of carefully orchestrated bank robberies and the murder of the lead detective's former girlfriend — in a way that few authors could pull off.  Though Nesbø is surely a master storyteller, the tension in this book doesn't match the intensity it reaches in The Snowman, so I was a little disappointed.  Still, this is a fine thriller and worth the read. I'm looking forward to reading Nesbø's The Redbreast soon.   ★★★☆☆

 

 

 

Images-1In this past Wednesday's New York Times, I saw a short note by Susannah Meadows about A Long Drive Home, a new novel by Will Allison, which "looks at how a snap decision causes one American family to come undone." 

"A man driving with his 6-year-old daughter in the back seat gets a case of road rage after a teenage driver cuts him off on a quiet residential street. As the car careens toward them a second time, the dad, Glen, decides to teach the teenage boy a lesson, turning into his lane to give him a scare. The oncoming driver swerves into a tree and dies. While narrowly focusing his lens on the event and its consequences, Mr. Allison still manages to take in a panorama of human behavior. Not knowing what his little girl was aware of, Glen doesn’t admit his role in the accident to his wife or the police. Mr. Allison’s gift is in making that lie — and each new one it inevitably spawns — understandable, showing how this story could be anyone’s. Part of the book is written as a letter from Glen to his daughter, to read when she’s 18, explaining the consequences."

If you want to read a really frightening, unsettling book, this is it.  Don't bother with Stephen King or crime stories. There's nothing more disturbing than a normal person's life falling apart inexorably as a result of completely understandable actions and reactions. Will Allison's tragic tale is a true horror story. His prose is taut and gripping, utterly compelling.  You'll keep imagining yourself in Glen's position. Every few pages, as things keep getting worse, you'll find yourself saying outloud, as I did, "Oh, shit!" ★★★★★ 

Right-wing Social Engineering

Stei110517
   © Ed Stein  

 As the cartoonist explains at his site:

The game of chicken over raising the debt limit continues, with Republicans (and some Democrats) vowing that any vote for it will have to be accompanied by deep budget cuts, and tax increases of any kind will not be considered. If Republicans have their way, there’s only one possible outcome. The social safety net, already badly frayed by the deep recession, will have to be trimmed even further. There’s simply no way to make the deep cuts the GOP is demanding without attacking Medicare and Medicaid, health care programs for the elderly and the poor. Much of the pain could be alleviated, of course, by repealing the Bush-era tax cuts for the wealthy, but Republicans will not hear of it. They stubbornly cling to the fiction that any tax increases (even repealing the oil depletion allowance for oil companies swimming in record profits) will deepen the recession and cost jobs. The inescapable truth, though, is that the most vulnerable among us are being asked to underwrite the increasing income inequality in America, which is already at the shameful levels seen in the Third World. This is all neatly packaged as absolutely necessary deficit reduction, but if the Grand Old Party was really serious it might ask those who can afford it the most to share a little of the pain.

“The Snowman,” by Jo Nesbø

Images-4 Holy cow!  What a book! 

If you're a fan of thrillers, click away from this page right now and go to Amazon and buy The Snowman, a novel by the Norwegian author Jo Nesbø.  If you live near a real bookstore, run over there right now and try to buy it.  Start it tonight.  Go!  Don't dilly-dally here. Do it.

Nesbø puts everybody else to shame.  Stieg Larsson? A pretender. Henning Mankell? A sham.  Nesbø?  The real McCoy.  Let's also give credit here to the translation by Don Bartlett.  This book zips along in wonderful, taut prose, thanks in part to Bartlett's work.  As Michael Connelly, America's best-selling writer of thrillers has said, "Jo Nesbø is my new favorite thriller writer." Ditto.

Here's Amazon's synopsis by Miriam Landis:

"On the first day of snow, a child wakes up to find his mother has disappeared during the night. Outside, a snowman has appeared out of nowhere, the calling card of one of the most terrifying serial killers in recent fiction. A letter from the perpetrator draws Detective Hole further and further into the case, and together with his new partner, Katrine Bratt, he hunts the Snowman through twists and turns that become increasingly personal and may drive Hole to the brink of insanity. Brilliantly crafted, this credible and dark page-turner fully fleshes out the characters, especially Hole, a hardened detective with sharp instincts and real heart. What is the link between the victims? Is the Snowman a suspicious doctor, a notorious playboy, or one of Hole's peers on the force? The police keep thinking they've caught the criminal, but Hole's astute observations may steer him around the red herrings and right into the hands of the cold-as-ice killer."

This is the best thriller I've read in a long time. Nesbø is amazing.  See this terrific article by Wendy Lesser at Slate about Nesbø's work and that of other authors of dark Scandinavian mystery/thrillers. (Thanks to LG for this.)

You're still sitting there, reader?  GO!  Buy it!  ★★★★★ (and more!)

Hawking on God: “It’s a fairy story.”

Amen. 

Renowned physicist Stephen Hawking recently explained his belief that there is no God and that humans should therefore seek to live the most valuable lives they can while on Earth.

I have lived with the prospect of an early death for the last 49 years. I'm not afraid of death, but I'm in no hurry to die. I have so much I want to do first. I regard the brain as a computer which will stop working when its components fail. There is no heaven or afterlife for broken down computers; that is a fairy story for people afraid of the dark.

“Bridesmaids” is a Must-see Movie

MV5BMjAyOTMyMzUxNl5BMl5BanBnXkFtZTcwODI4MzE0NA@@._V1._SY317_CR0,0,214,317_If you pay any attention to contemporary movies, you probably know that the new film Bridesmaids, starring Kristen Wiig, was released this week to rave reviews (see, for example, the New York Times and the Wall Street Journal). Sue and I went to see it last night.  We laughed through the whole thing, as did the other members of the audience in the packed theater.  It's the funniest film we've seen in a long, long time.    ★★★★★

“Attachments,” by Rainbow Rowell

ImagesRainbow Rowell's Attachments is a perfectly entertaining novel — light, breezy, funny, and observant. Jennifer and Beth, two young women who work in the newsroom of a small-city newspaper in the Midwest, use their employer's internal email system to exchange messages about their love lives. Jennifer's husband wants a child; she doesn't.  Beth's live-in boyfriend is a rock musician who resists making any commitment to her.  Beth and Jennifer are unaware that their messages are being read by Lincoln, a lonely guy newly hired in the IT department, charged by his boss with monitoring employees' use of the computer system for personal emails, porn, etc.  Lincoln can't bring himself to shut down the constant exchanges between the two women, in part because Beth's emails reveal her to be so sweet of heart and he also discovers that she thinks he's attractive.  Sounds sort of moronic, I know, but in Rowell's capable hands, the story moves along at a good clip, and the emails that zip back and forth between Beth and Jennifer are very witty.   Good beach reading, at the very least.   ★★★★☆

 

 

 

Images-1

Last Sunday I read two reviews of Jean Thompson's new novel, The Year We Left Homethis one in the New York Times, and this short take in the Boston Globe. The reviewers' comments made it seem like a book I'd enjoy a lot. Thompson writes well, but I got over 200 pages into this 325-page book and decided to drop it because I just didn't care enough about any of the characters.  Maybe you'll have more luck with it.     ★☆☆☆☆

To be fair, it's possible that it's my mood, not Thompson's characters, responsible for my unwillingness to stick with her story.  I say this because the same thing happened this week with my third (!) effort to get into Ann Tyler's Back When We Were Grownups.  Tyler is one of our finest novelists, and I usually thoroughly enjoy her quirky characters and slowly unwinding narratives.  But after 70 or 80 pages, I still haven't found any of her characters interesting in this one.  I'll give it one more try soon. 

 

 

Images-2

Sarah Pekkanen's Skipping a Beat looks like chick-lit, but it's not.  Here's Booklist's synopsis:  "High-school sweethearts Julia and Michael have left their humble West Virginia roots far behind for a glamorous life in Washington, D.C. As they achieve more in their careers—she as a high-end events planner, he as the CEO of his own sports-drink company—they lose themselves as a couple. After Michael has a near-death experience, he decides to give away all their wealth and focus on his relationship with Julia. But she’s not ready to forgive him for choosing his work over her when she needed him most. Pekkanen’s novel traces the couple’s attempts to make amends for allowing success to replace love."   Good characters here — and a tender and insightful story.   ★★★☆☆